This week, fashion steps aside as we focus on rising stars in the art world. One to watch is Los Angeles-based artist Austyn Weiner, who will be debuting at Art Basel with MASSIMODECARLO. We recently chatted with Austyn to learn about her creative process and inspirations.
Can you tell us about your background and how you got into art?
I grew up in Miami, the youngest of four in a very creative family. My first love was music, and painting became a way to enjoy it all day long. I used to be a photographer and later worked in film and fashion photography in New York. My fascination with the female form and energy of models drew me to painting. Moving to California, I taught myself to oil paint, and that’s how my painting journey began.
How do you describe your art to others?
It’s tricky, but I’d say I’m an abstract painter. Most abstract painters start with a concrete idea or concept; my work is more like a diary, capturing moments of my life in color.
What’s your artistic process like? Do you work on multiple pieces at once?
The scale of my work has grown with my studio space. During the pandemic, I painted in a small garage. Now, in a 5,000 square-foot studio, I work on up to 30 paintings at a time. Space greatly influences my process.
Do you plan your work each day, or do you go with the flow?
It’s a mix. I start with a lot of freedom, often sketching directly on the canvas and experimenting with color. As the painting progresses, it becomes a careful balance of preserving and developing the image.
How long do you spend on each piece?
It varies. Some pieces come together in a day and a half, while others take up to nine months.
Is it hard to part with your work?
It wasn’t at first, but now it is, especially when a piece represents a significant learning moment for me. I’m getting better at holding onto certain works for longer.
What music do you listen to while working?
I listen to a wide variety, from Radiohead to Curtis Mayfield, jazz legends, and classical music. My choice depends on my mood and what I need at the moment.
You’re attending Art Basel this year. What’s that experience like for you?
As a Miami native, I’ve been going to Art Basel long before I became a painter. It’s interesting seeing the commercial side of the art world. This year, I’m excited to participate with a solo presentation at the MASSIMODECARLO gallery booth.
Will you be spending a lot of time at your booth?
I’ll pop in and out, but I won’t be there all day. I’d love to listen to people’s honest opinions about my work, both good and bad.
Who are some of your mentors?
I have many mentors from different walks of life. I often gravitate towards older mentors because they’ve experienced so much. I have close relationships with artists like Lily Stockman and Hilary Pecis, who are part of my support system. Gigi Hadid, one of my best friends, and the late Virgil Abloh have also been significant influences. Numerous gallerists and writers have shaped my career, and I’m grateful for everyone who’s supported me.